‘Nithya’ is Sanskrit for eternal; infinite; ever-lasting; omnipresent. The fray of which I write is the fray between worlds; between dimensions; between selves; between forms; between ‘time’. My contemplation of these ideas have lead me to explore a range of creative and existential mediums. I am curious about the source and experience of identity, the embodiment of our manifold complexities, relativities, freedom, evolution and transcendence. Sometimes, words, images and sounds well up inside me and spill out when I least expect it, and sometimes they don’t. All of this, all of my Self, I am still learning.

I am a howling woman,
Born of dust and bone beneath a burning sun,

The dirt beneath my feet seeped in marrow,
As I disappear endlessly into the earth,
To rise again and again in the wind.


Vengayam FINAL IMAGE.jpg


All work on this website is the exclusive property of Nithya Iyer unless otherwise credited, © Nithya Iyer as covered by the Copyright Act 1968. Any publication of material on this website requires the express written consent of Nithya Iyer.



  • Melbourne Institute of Experiential and Creative Art Therapy: Masters in Therapeutic Arts Practice (Community Arts & Health); Present
  • Chandrabhanu Bharatalaya Academy of Classical Indian Dance – Bharatanatyam & Odissi Dancer & Teacher; 2005-2016
  • Monash University: Bachelor of Arts (Politics & International Relations)/Bachelor of Commerce (Finance); 2004-2008
  • University of Liverpool: ERASMUS Program; 2004
  • MacRobertson Girls High School: VCE, 2000-2003


  • Lord, have you forsaken me thus?: Video art project developed on-site with Art Ecology, Bangalore, 2018
  • Now, And the Mind Tears: installation at Agency Agency, Nicholas Building Open House, 2017


  • Vengayam: Critical Animals, This is Not Art Festival, Newcastle, 2018
    //solo performance installation
  • Syllables of Ritual/Resonant Lines: Mapping Melbourne & Queensland Poetry Festival, 2017
    //duo and trio performance poetry and live art collaboration.
  • MOKITA – A Secular Ritual: HillsceneLIVE, 2017
    //trio durational, interactive and live art performance over eight hours regarding grief.
  • Remedium: Melbourne Uni Mudfest, 2017
    //trio immersive and durational performance installation over 4.5 hours across five rooms.
  • In the Beginning there was Sound: Peril Magazine x AASRN Tenth Birthday, 2016
    //solo performance, voice and body
  • Rates of Exchange: Mapping Melbourne 2016
    //one of five performers in group work choreographed by Dr. Priya Srinivasan
  • H:O:M:E: Crack Theatre Festival (This Is Not Art) 2016
    //trio experimental storytelling performance
  • Black Bird: The Body Speaks Melbourne, 2015
    //duo performance poetry
  • ANDASHA: Regrowth Festival, Braidwood NSW, 2015
    //one of five performers in roving performance on ritual.
  • Hybrid Continent: RMIT University & Australian Multicultural Association, 2015
    //one of four performers in group work choreographed by Kathleen Gonzalez
  • Navagraha (‘the 9 planets’): Jambudvipa Association for Indian Arts, 2014
    //one of 17 performers in group Bharatanatyam performance choreographed by Dr. Chandrabhanu OAM
  • MARIAMMAN: Jambudvipa Association for Indian Arts, 2013
    //one of 27 performers in group Bharatanatyam performance choreographed by Dr. Chandrabhanu OAM
  • Darpana – the mirror of gesture: Jambudvipa Association for Indian Arts, 2013
    //duo work in Bharatanatyam performance choreographed by Dr. Chandrabhanu OAM
  • ‘Arangetram’, Chandrabhanu Bharatalaya Academy of Classical Indiance Dance, 2010
    /solo debut in feature-length Bharatanatyam work.


  • Exploring Gesture: workshop presented at Yoga Health Mandala, Goa, India, 2018
  • MURTI installation facilitation support for artist Devika Bilimoria at Fringe Festival 2015
  • BON moving meditation: weekly workshops at Dancehouse, Melbourne and Regrowth Festival, NSW, 2014 – 2016
  • Bharatanatyam dance teacher, Chandrabhanu Bharatalaya Academy of Classical Indian Dance, weekly classes for children and adults five to 20 years old, 2014 – 15


  • Arts writer, Peril Magazine, 2016 – 2017
  • Interview & transcription, Ondru, Voiceless Journeys Project, 2015
  •, 2013 – present


Nithya Iyer is a Melbourne-based arts-researcher, writer and performer of South Indian Tamil-descent. Her work explores the application of somatic, psycho-spatial and socio-political ideas to experimental, durational and live art processes. Her solo explorations include video art piece Lord, have you forsaken me thus? completed on residence at Art Ecology in Bangalore in 2018, which deconstructs Bharatanatyam dance formats against contemporary socio-religious critique. She has also presented an immersive text-based installation contrasting the scripture of the Avadhut Gita with reflections on the apathy of neoliberal materialism: Now, and The Mind Tears, at A Night at the Nicholas in 2017.  In September 2018 she presents her first solo devised performance installation, Vengayam, at Critical Animals, This Is Not Art festival, Newcastle.

Nithya has written, co-devised and performed several works alongside collaborators Devika Bilimoria and Luna Mrozik-Gawler. These include an eight-hour durational live art work exploring grieving and ritual entitled MOKITA (HillsceneLIVE 2017) and Syllables of Ritual – a poetic performance discourse on contemporary faith and spirituality (Queensland Poetry Festival 2017, Mapping Melbourne 2017).

Nithya was trained for 12 years at the Chandrabhanu Bharatalaya Academy of Indian Dance in the forms of Bharatanatyam and Odissi. She is currently undertaking her Masters in Therapeutic Arts Practice at the Melbourne Institute of Experiential and Creative Art Therapy.