‘Now, and the Mind Tears’, immersive installation at Agency Agency, Nicholas Building, Melbourne

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Now, and The Mind Tears

you walk down the street 
youve stared too long at nothing
something steps your miss
you are where?

An installation exploring the existential quandary of the city-dweller, inquiring into apathy and conscious renunciation as a response to the chaos of contemporary life.

This work intersperses writing from the Hindu scripture known as the Avadhut Gita (Song of the Freewith reflections written by the Artist.

The Avadhut Gita is poetic scripture based on the philosophy of Advaita Vedanta (non-duality), which posits that the individual soul is comparable to the highest metaphysical reality.


‘Nectarean’

Of Nectar; ‘life-giving drink of the Gods’

Compound of
     ‘Nek’- coming from “death” (necro), and
‘tar’- coming from ‘tere’ to cross over, pass through or overcome:

– that which overcomes death

 

ARTIST STATEMENT:

I present this work as my first public installation, inquiring into how the themes of poetic verse can be communicated through immersive and experiential means.

You are invite to enter this work and make your way through to the centre, reading as much or as little of the text as you would prefer.

I am curious about the potentiality for non-traditional readings to communicate new messages and would love to know about your experiences should you wish to share them. Please find some pages for you to leave your thoughts at the back of the room on the ledge.
 

About the Avadhut Gita:

The Avadhut Gita is believed to have been anonymously written during the 9th or 10th Century BC. Later accreditations to the author as ‘Sri Dattatreya’ have been proffered, but historians cannot validate this character. The poetic translation used in this work comes from Swami Abhayananda.

“Throughout history, it has been the contention of the mystics of all cultural traditions that the “vision of God” reveals man’s essential oneness with Absolute Being, awakening him to his true, eternal Identity. Prior to such divine illumination, say these mystics, man suffers under the mistaken illusion that he is a limited and finite being, separate and distinct from other beings, who possesses his own individual identity.”

The Artist and Agency Agency would like to acknowledge the traditional owners of this land, the Wurundjeri people of the Kulin nation, and pay our respects to their elders past and present.

We note that this performance takes place on land that was appropriated violently and against the will of the First Australians. We also acknowledge that sovereignty has never been ceded and the Australian Government continues to systematically persecute and abuse Aboriginal people in Australia.

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THE STUDIO: AGENCY AGENCY
Agency Agency exists as a place of space for provocateurs of the unconscious. Double-agents of agency Dario Vacirca, Nick Roux, Nithya Iyer and Ching Ching Ho operate in service of the proverbial people, creating and facilitating critical media, reflections and manipulations for individual and mass de-sedation. Agency Agency can assist with locating one’s agency, ensuring all holes in the matrix are quickly exacerbated, and calculated ruptures to modus operandi are executed. “On-world” services include experimental performance and arts-inquiry, intercultural theatre arts translation, sound and video design, critical writing, research and scholarship, and all other forms of creating. For more information, insert message through the space-time continuum here, or alternatively phone/email as follows.

 

 

 

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MOKITA – a secular grieving ritual.

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A durational performance, a ritual, and an invitation, MOKITA is mourning in motion. Exploring grief, and the complex emotions arising from, but not limited to, environmental collapse, Mokita is a participatory, immersive and meditative experience where attendees are invited to submit their grieving to the space and to share in the catharsis

A Kilivila word from Papua New Guinea, meaning ‘the truth we all know, and have agreed not to talk about,’ MOKITA is a performance work that seeks to create a space dedicated to grieving, and asks how we maintain our humanity amongst a time of rapid destruction and change.

Performed by Luna Mrozik-Gawler, Nithya Iyer and Devika Bilimoria, accompanied by sound art by Amy Hanley, and supported by Nardine Keriakous, MOKITA considers the global, environmental and personal grief arising from the  urgent and distressing circumstances that we are surrounded by everyday.

It considers the absence of contemporary, secular spaces to confront difficult emotions such as melancholy, rage or grief.

As Facebook-feeds flood with images of war-ravaged communities, beached whales, nuclear spills, screaming cattle, burning forests and rising waters, how are we to acknowledge this collective emotional trauma? Where are we to put this grief?

MOKITA aims to create a secular contemporary ritual space that answers this need.

It exists as a salve for those unable to process or release their own sense of grief; whether it arises from situations commonly associated with mourning, such as a death, or is a result of any kind of change, or ongoing anxiety.

On the day of this seven hour ritual, participants are invited to confidentially offer their grief into the performance space to be carried through a meditative performative process.

The grief will be individually placed in native seed mottled clay by  participants, and at the conclusion of the ritual, will be planted in the soil surrounding Birdlands Reserve in Belgrave Heights.

In this way our grief, individual or collective, small or insurmountable, will be offered back to land as a contribution towards ongoing revegetation of the site.

MOKITA - HillsceneLIVE Festival 2017

Image by Devika Bilimoria